What’s a book you never finished but still think about?
I never finished Anna Karenina. Got maybe two-thirds through, put it down during a busy stretch, and somehow never picked it back up. That was a while ago now. And it’s still one of the books I think about the most.
That’s the weird thing about certain stories — they don’t need an ending to leave a mark. Sometimes the unfinished middle is exactly where the lesson lives.
Two people, two very different decision systems
Here’s what actually stuck with me. The book runs two parallel lives side by side. Anna, who blows up her entire world chasing a feeling, and Levin, this awkward, overthinking landowner who’s out in the countryside wrestling with doubt, work, and what a good life even looks like.
Tolstoy never really lets you forget these two are supposed to be in conversation with each other. Anna moves on pure want. Every choice she makes is reactive — driven by whatever she’s feeling in that exact moment, with no real framework underneath it. It reads exciting at first. Thrilling, even. But you can feel the runway getting shorter with every chapter. She’s not making decisions anymore. She’s just responding to whatever fear or desire is loudest that day.
Levin is the opposite, and honestly kind of insufferable about it. He second-guesses everything. He quits things, restarts things, has a full identity crisis about farming of all things. But underneath the mess, he’s actually building something — a set of values he keeps testing against real life. He’s slow. He’s not thrilling to watch. But he’s constructing an actual decision system instead of just running on impulse.
I think that contrast is the whole book, honestly. Not “love vs. duty.” That’s the surface read. The real question underneath it is: are you making decisions from a place of groundedness, or are you making decisions from whatever you’re afraid of or hungry for right now?
Why this keeps following me around
I work in decision systems for a living now, in a sense — that’s basically the whole premise behind The Forge. Credit, investing, travel, income — none of that actually works without a framework underneath it. And I think about Anna constantly when I see someone (myself included, some days) making a financial decision purely out of fear. Panic-selling. Impulse-buying the thing that’ll make the discomfort go away for an hour. Taking a job or a partner or a plan because the alternative — sitting with uncertainty — feels unbearable.
None of that is stupidity. Anna isn’t stupid in the book. She’s smart, funny, self-aware even. That’s what makes it land. Smart people make fear-based decisions all the time and dress them up as passion, as boldness, as finally choosing themselves. Sometimes that’s exactly what it is. And sometimes it’s just fear wearing a nicer outfit.
Levin’s path is less romantic and a lot more useful. He builds. He fails. He adjusts. He keeps checking his choices against something more durable than a feeling in the moment. That’s not a thrilling story to tell at a dinner party. But it’s the one that actually holds up.
Why I never went back to finish it
I think — and I’ve thought about this more than a reasonable person should think about an unfinished 900-page Russian novel — that I already knew where Anna’s story was headed. Everyone does. It’s baked into the cultural water supply at this point. And some part of me didn’t want to spend more time watching someone spiral without a framework when I was actively trying to build one for myself.
Levin’s story doesn’t really “end” so much as it settles into something quieter. Less dramatic. More honest. Maybe that’s why I keep circling back to this book instead of just rereading it — I didn’t need the ending. I needed the contrast. And I got that a long time before page 800.
If you’ve read the whole thing, no spoilers. I’ve made my peace with not knowing exactly how it lands. Some books you finish. Some books you just carry around with you, half-read, doing their work anyway.
